Following the Apple Music launch on Amazon Echo speakers in the US, Apple Music is now available on the Amazon Fire TV as well. The Apple Music skill can now integrate with Alexa on Fire TV, so you can ask your TV to play Apple Music with your voice.
Moreover, Amazon announced that it is now expanding Apple Music on Amazon Echo to more countries. The service will be available to Echo owners in the United Kingdom ‘in the coming weeks’.
Apple Music subscribers will be able to enjoy Apple Music’s 50 million songs on Echo devices. Customers will be able to ask Alexa to play their favorite songs, artists, and albums—or any of the playlists made by Apple Music’s editors from around the world, covering many activities and moods. Customers will also be able to ask Alexa to stream expert-made radio stations centered on popular genres like Hip-Hop, decades like the 80s, and even music from around the world, like K-Pop. Just ask Alexa to play Beats 1 to hear Apple Music’s global livestream including in-depth artist interviews— all completely ad-free. Simply enable the Apple Music skill in the Alexa app and link your account to start listening.
This is something that not many thought we would ever see – Apple allowing access to their music service via a competitors home speaker range. Kudos to Apple for allowing this as the Amazon Echo range of home devices are more popular due to their more affordable price compared to the more expensive, but better quality speaker and thus sound quality, of the Apple HomePod.
Prince’s Warner Brothers catalog hit Apple Music early last year, but that left many of his albums missing. That’s been corrected today, thanks to an agreement between the Prince’s Estate and Sony Legacy Recordings …
NordVPN Variety reports that 23 albums issued between 1995 and 2010 have been issued in the first round, with more to follow. There’s also a brand new compilation album.
The full list of newly available albums is:
The Gold Experience (1995) (“The Most Beautiful Girl in the World” greyed out, partial album streaming only; album unavailable for download)
Chaos and Disorder (1996)
Crystal Ball (1998)
The Truth (1998)
Rave Un2 The Joy Fantastic (1999)
Rave In2 The Joy Fantastic (2001)
The Rainbow Children (2001)
One Nite Alone… (2002)
One Nite Alone…Live! (2002)
One Nite Alone…Live – The Aftershow: It Ain’t Over (Up Late with Prince & The NPG) (2002)
The Chocolate Invasion (Trax from the NPG Music Club: Volume 1) (2004)
The Slaughterhouse (Trax from the NPG Music Club: Volume 2) (2004)
Planet Earth (2007)
Indigo Nights (2008)
Prince Anthology: 1995-2010
Earlier this year, Spotify announced that it had 70 million paying subscribers, reaffirming its place as the number one streaming service in the world, with Apple Music a distant second with 30 million as of September last year. In a new report in The Wall Street Journal, it appears that Apple is gaining subscribers at a higher rate in the United States, and will surpass Spotify for the number one spot this summer.
Globally, Spotify remains ahead, but Apple is growing at a higher rate in the US — five percent a month verses Spotify’s two percent per month. The US is the largest market for music streaming with 30 million paying subscribers, and Apple’s growth there means that it’s becoming a serious challenger to Spotify. Globally, Apple tells the WSJ that it now has 36 million subscribers.
The simple fact is that Apple is a multi-industry company which can covers any potential costs and losses on its streaming side with Apple Music through its over revenues and profits where as Spotify is struggling to cover it’s costs and branch the company out. This is why Apple Music will win out long term and the smart money is to switch to Apple Music as consumer.
Despite yesterday’s live Apple broadcast being more tedious than a game of rock paper scissors with yourself in a mirror, everyone in the UK did a little clenched fist celebration when one particular Beats 1 announcement was made. Zane Lowe would be repping the LA arm, Hot 97’s Ebro Darden would be covering New York, but more importantly: no-shits-given underground tastemaker Julie Adenuga was confirmed as London’s headline host for the new station. Not bad for someone who, a few years ago, was working in an actual Apple store as a sales assistant.
You probably already know Julie Adenuga, but if you don’t then the tl;dr is this: Adenuga is the current don of underground music broadcasting. When your brothers are JME and Skepta, it could be easy to fall into the shadows a bit like that Olsen what isn’t a twin, but the young London presenter has been spreading her sweet wings all over radio and TV for the last few years, like some sort of grime and rap eagle god person.
Her drive time Rinse FM show became scientifically proven as the only thing that could make you smile on your way home on a London bus. And as anyone who listens to too much UK radio online will know, finding a show with decent music is easy, but one with an actual sense of humour is like discovering a hot water bottle in the Arctic Tundra.
Last year she created and hosted a totally underrated music television show on Channel AKA and Daily Motion called Play It that started off as a UK rap and grime platform – featuring Stormzy, Youngs Teflon, Ms Banks and more – then quickly embraced singers and poets too, making it a frontline platform for championing anyone who could just do words out their mouths really really well. And she’s also the host of Noisey’s very own Grime Karaoke, because she’s the only person that can tell Big Narstie to STFU without leaving in an ambulance.
Through Maya Jama, Clara Amfo, Sian Anderson, Monki and more, it’s become a given in the UK that young women are making the most interesting and engaging radio shows around. So for all these reasons, it’s pretty great that Beats 1 is going to become a springboard for Adenuga to put UK music on worldwide blast.
Compare that to Spotify, which is building its entire business around music streaming. Spotify is in a jam right now: the more money it makes, the more money it loses, because of how its deals with the labels are structured. Spotify needs a free service because that’s how it gets people in the door and convinces them to pay, but the labels hate the free service because it doesn’t pay them enough. Spotify needs to add subscribers at a high rate to cover the revenue gap; the best way to add more subscribers is to aggressively sign people up for the free tier, increasing the revenue gap. The flames climb ever higher into the night.
Apple doesn’t have any of these problems, because it just wants people to buy iPhones. You can pay the $9.99 a month for Apple Music and unlock almost all the songs in the iTunes library, or not. It’ll barely dent Apple’s balance sheet either way; the company is doing a music service because it likes music and sees the writing on the wall as digital downloads collapse in favor of streaming services. Spotify has to invent an entirely new business model, but Apple just has to make listening to music marginally easier.
The entire music industry, turned into just another feature of the iPhone.
Now, Apple News could be terrible — it’s built on the wreckage of Newsstand, which did not exactly save the print industry. And parts of Apple Music sure feel like Ping, which has a special place in Apple’s Hall of Pretty Bad Ideas. But none of these products are existentially important to Apple; they’re just features, ways to make the iPhone more compelling and interesting. That’s sort of incredible; it’s hard to think of another company that can just subsume an entire industry in the service of making its products more attractive.
Nailed it. This is why Apple will undoubtedly prevail because they make the hardware that people use to listen to their music on and Apple sells a lot of iPhones.